"Corner Bones II"* |
The tea was
poured,
The chair
set near the hearth,
The book
opened to the next chapter.
All was
ready.
In the
firelight,
The bones winked and flashed.
They were
always there now,
Crouched In
the far corner of the room.
On soft May
nights
When the scent
of lilacs
Crossed the
sill,
Spawning
reverie,
Phantom
moonlight
Washed them
opalescent.
They were
always there now,
Stirring
when the phone rang,
Then
resettling to the drone of daily talk.
At night,
they migrated into dreams,
Settled in
the shadowed nooks
Of unknown
railway stations
Where
frantic seekers
Of misplaced backpacks
Recognized
them.
They were
always there now,
Shifting
just enough to catch the eye
Set on being
elsewhere cast.
On summer days
when sunlight
Honeyed hardwood
floors,
Inviting
bare feet to leap and dance,
They snared
their share of gold
And tempered pleasure,
Grounding
those who thought to soar.
They were
always there now,
Hunkered,
bent, and glinting,
Always leaching peace.
"Corner Bones"** |
* Layering of Vitor Antunes Photograph and partial image from Scott Ketcham painting
• Vitor Antunes "The Dark Corner" Flickr, May 28, 2011: https://www.flickr.com/photos/janeladeimagens
/7558233640
• "Loam" by Scott Ketcham: http://www.scottketcham.com/post/155923357652/555-loam-2017-46-x-31-oil-
on-denril
** Layering of Sylvia Plimack Mangold painting and Scott Ketcham painting:
• Brutvan, C. A. (1994). Floor with light at noon, 1972. In The paintings of Sylvia Plimack Mangold (p. 52).
New York: Hudson Hills Press, in association with the Albright-Knox Art Gallery.
• "Loam" by Scott Ketcham: http://www.scottketcham.com/post/155923357652/555-loam-2017-46-x-31-oil-
on-denril
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